Talk:Grand Eléctrica Perla/@comment-5135787-20170317201615/@comment-26484417-20170318002833

From the top of my head, I have four ideas:  We know that not everyone can learn the Maschenny Style, so maybe having a plus tendency is one of the prerequisites. It's possible that one of the things that make Maschenny Style--or this particular technique--so special is that it compensates for the gap between minus tendency and plus tendency. It may have nothing to do with the different tendencies and the Baang, Myun, and Soo "balancing", because that describes what happens to these values from Baang to Baang, while this is about compressing multiple Baangs into one; i.e., even if the individual Baang's Myun and Soo are smaller because of their number, their combined Myun and Soo is still likely going to be greater than that of a single Baang. As you already postulated, SIU may have changed his mind about Baangs, Myun, and Soo mechanics.